NAM JUNE PAIK:
THE FUTURE IS NOW
— Nam June Paik
“The Yellow peril! C’est moi.”
1963–1964
“The Yellow peril! C’est moi.”
1963–1964
“The Yellow peril! C’est moi.”
1963–1964
“The Yellow peril! C’est moi.”
1963–1964
“The Yellow peril! C’est moi.”
1963–1964
“The Yellow peril! C’est moi.”
1963–1964
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Essays & Interviews Artwork & Archival Highlights Timeline Programmes About The Exhibition
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THE FUTURE IS NOW
NAM JUNE PAIK
10.12.2021 — 27.03.2022
Artwork & Archival Highlights
Charlotte Moorman with TV Cello and TV Eyeglasses
Electronic Opera #1
TV Garden
Hand and Face
Global Groove
Three Camera Participation/Participation TV
Random Access
Leaflet for the Fluxus Internationale Festspiele Neuester Musik
TV Buddha
One Candle (also known as Candle TV)
Nam June Paik
Untitled (Robots with Videotape)
Zen for TV
Good Morning Mr. Orwell
THE FUTURE IS NOW
NAM JUNE PAIK
10.12.2021 — 27.03.2022
Timeline
About the Exhibition
Artwork & Archival Highlights
Essays & Interviews
Programmes
THE FUTURE IS NOW
NAM JUNE PAIK
10.12.2021 — 27.03.2022
Raisins in the Audience Dough: Third Movement
Resonates With ft. weish
Afterlude–Prelude: Responses to Nam June Paik
Programmes
Time’s Up: Conserving Media Art and the Inevitability of Change
Performing Paik, Connecting the World
THE FUTURE IS NOW
NAM JUNE PAIK
10.12.2021 — 27.03.2022
1930s
1950s
1940s
Timeline
2000s
1990s
1980s
1970s
1960s
THE FUTURE IS NOW
NAM JUNE PAIK
10.12.2021 — 27.03.2022
Traversing Micro And Macro Histories: A Companion To Nam June Paik’s Timeline On Explore.namjunepaik.sg
Essays & Interviews
10 Questions with Edith Decker-Phillips
Nam June Paik in Asia
10 Questions with Ken Hakuta
Director’s Foreword
Different Frequencies: Between Abstraction and Technology in Southeast Asia
10 Questions with Michael Waite, Graham Hallett, Peter Hardy and Richard Maude
10 Questions with Sook-Kyung Lee and Rudolf Frieling
Fluxus and Southeast Asian Art