— Nam June Paik
“I wanted to let the audience ... act and play by itself. So I have resigned the performance of music.”
1963“I wanted to let the audience ... act and play by itself. So I have resigned the performance of music.”
1963“I wanted to let the audience ... act and play by itself. So I have resigned the performance of music.”
1963“I wanted to let the audience ... act and play by itself. So I have resigned the performance of music.”
1963“I wanted to let the audience ... act and play by itself. So I have resigned the performance of music.”
1963“I wanted to let the audience ... act and play by itself. So I have resigned the performance of music.”
1963“The Yellow peril! C’est moi.”
1963–1964- Filter
THE FUTURE IS NOW
NAM JUNE PAIK
10.12.2021 — 27.03.2022
Artwork & Archival Highlights
Charlotte Moorman with TV Cello and TV Eyeglasses
Electronic Opera #1
TV Garden
Hand and Face
Global Groove
Three Camera Participation/Participation TV
Random Access
Leaflet for the Fluxus Internationale Festspiele Neuester Musik
TV Buddha
Nam June Paik
Untitled (Robots with Videotape)
Zen for TV
THE FUTURE IS NOW
NAM JUNE PAIK
10.12.2021 — 27.03.2022
THE FUTURE IS NOW
NAM JUNE PAIK
10.12.2021 — 27.03.2022
THE FUTURE IS NOW
NAM JUNE PAIK
10.12.2021 — 27.03.2022
Traversing Micro And Macro Histories: A Companion To Nam June Paik’s Timeline On Explore.namjunepaik.sg
Essays & Interviews
10 Questions with Edith Decker-Phillips
Nam June Paik in Asia
10 Questions with Ken Hakuta
Director’s Foreword
Different Frequencies: Between Abstraction and Technology in Southeast Asia
10 Questions with Michael Waite, Graham Hallett, Peter Hardy and Richard Maude
10 Questions with Sook-Kyung Lee and Rudolf Frieling
Fluxus and Southeast Asian Art
