“My experimental TV is/not always interesting/but/not always uninteresting like nature, which is beautiful,/not because it changes b e a u t i f u l l y,/but simply because it c h a n g e s.”

“My experimental TV is/not always interesting/but/not always uninteresting like nature, which is beautiful,/not because it changes b e a u t i f u l l y,/but simply because it c h a n g e s.”

“My experimental TV is/not always interesting/but/not always uninteresting like nature, which is beautiful,/not because it changes b e a u t i f u l l y,/but simply because it c h a n g e s.”

“My experimental TV is/not always interesting/but/not always uninteresting like nature, which is beautiful,/not because it changes b e a u t i f u l l y,/but simply because it c h a n g e s.”

“My experimental TV is/not always interesting/but/not always uninteresting like nature, which is beautiful,/not because it changes b e a u t i f u l l y,/but simply because it c h a n g e s.”

“My experimental TV is/not always interesting/but/not always uninteresting like nature, which is beautiful,/not because it changes b e a u t i f u l l y,/but simply because it c h a n g e s.”

“The Yellow peril! C’est moi.”