NAM JUNE PAIK:
THE FUTURE IS NOW
— Nam June Paik
“The Yellow peril! C’est moi.”
1963–1964
“The Yellow peril! C’est moi.”
1963–1964
“The Yellow peril! C’est moi.”
1963–1964
“The Yellow peril! C’est moi.”
1963–1964
“The Yellow peril! C’est moi.”
1963–1964
“The Yellow peril! C’est moi.”
1963–1964
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Nam June Paik

Good Morning Mr. Orwell

Content Type
Artwork

Artist

Nam June Paik

Dating

1984

On Screens

Produced by WNET, New York; FR3, Centre Georges Pompidou, Paris; WDR Westdeutsche Fernsehen
Producer: Carol Brandenburg
Partial Post-Production: Nam June Paik, Paul Garrin
Post-Production: Broadway Video, Post Perfect
Editor of single-channel version: Skip Blumberg

Medium

Video, colour, sound, 37 min 54 sec

Credits

Courtesy of Electronic Arts Intermix (EAI), New York

On Screens

Produced by WNET, New York; FR3, Centre Georges Pompidou, Paris; WDR Westdeutsche Fernsehen
Producer: Carol Brandenburg
Partial Post-Production: Nam June Paik, Paul Garrin
Post-Production: Broadway Video, Post Perfect
Editor of single-channel version: Skip Blumberg

Good Morning Mr.Orwell is an edited version of Paik's first international satellite transmission, which was held on New Year's Day 1984. It was Paik’s rebuttal to Orwell's novel 1984, a vision of a dystopian future in which telecommunications are deployed as instruments of mass surveillance and oppression. Paik visually brought together events happening simultaneously in the USA and Europe, overlapping in the same frame. The event featured an intentionally jarring mix of “high art” and popular entertainment, live and recorded, as well as a computer animation accompanying a composition by Philip Glass.