NAM JUNE PAIK:
THE FUTURE IS NOW
— Nam June Paik
“The Yellow peril! C’est moi.”
1963–1964
“The Yellow peril! C’est moi.”
1963–1964
“The Yellow peril! C’est moi.”
1963–1964
“The Yellow peril! C’est moi.”
1963–1964
“The Yellow peril! C’est moi.”
1963–1964
“The Yellow peril! C’est moi.”
1963–1964
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Nam June Paik

Zen for Film

Content Type
Artwork

Artist

Nam June Paik

Dating

1964

Medium

Film, 16mm, 4:3 format, black and white (blank), 8 min

Credits

Collection of the Estate of Nam June Paik
Image © Estate of Nam June Paik; courtesy of the San Francisco Museum of Modern Art, gift of the Hakuta family; photo: Katherine Du Tiel

Zen for Film is not an endless loop: in its original form, it lasts 20 minutes. This shorter version was created for inclusion in an anthology titled Fluxfilm. By suggesting his audience watch the blank film the same way they would a traditional film, Paik wanted viewers to become aware of the physical aspects of the projection: dust and scratches on the film itself, the projector, the screen, even one’s self and other viewers. When shown in 1965 as part of the New Cinema Festival I in New York, Paik stood in front of the projection, casting and watching his own shadow.